Tuesday, 18 February 2014

'Sense and Sensibility' as a serial



Maharaja Krishnakumarsinhji Bhavnagar University Bhavnagar
Smt. S. B. Guardy Department of English

Written by: Poojaba Jadeja 

Roll No.: 22

Year: 2014, semester: 2

Paper: The Romantic Literature

Topic: "'Sense and Sensibility' as today's serial"

 

 

'Sense and Sensibility' as today’s serial

 
Today, serials become most popular art of our society. Serials are stand for entertainment, refreshment and delight of common human beings.

Jane Austen was one of the supreme artists in fiction. “Sense and Sensibility” is a famous novel by her. Because of its characteristics, we can connect this novel with today’s serials. As serials are the most popular program for television, the novel “Sense and Sensibility” can be compared with serials.

“Sense and Sensibility” has many elements which are similar to serials. With that comparison we can easily comment on the culture of England of Victorian age and Jane Austen’s way of presentation of such an English culture and feminine world in her novel. Some characteristics which are similar to the serials are given below.


Feminine world:

Generally, serials are for women, most of the viewers are women. In the serial we can find easily that the story is about women and focus is on women. It always related with the life of women.

“Sense and Sensibility” is a novel about two women characters. It is said about Jane Austen that, ‘The stories at all events are told from a women’s point of view.’  In the novel, general feminine world is described. Most of the characters are women and the stories of female characters are glorified more than male characters.

Not only in characterisation but also in story element, plot, themes, events, we can find that the novel is full of female and related to feminine world. Major characters are female. The story is about the three Dashwood sisters and their mother. They are Miss Elinor Dashwood, Marianne Dashwood, and Margaret Dashwood. Their life, their suffering from economic problems, their love, and feelings are described well in the novel.   

In the novel theme is of ‘marriage’, which is very common, feminine subject. Women characters, like Mrs. Jennings are always matching pairs between any lady and man. The struggle of choosing or getting life partner is also written in the novel. The novel also ends with marriage of the two Dashwood sisters Elinor and Marianne.

As the title suggests “Sense and Sensibility”, the novel also describes the sensible feelings of females and their sufferings because of this sensibility, very soft feelings. With this novel author Jane Austen make satire on sensible nature of women through the character of Marianne. That’s way novel is on women’s world. And there is a monopoly of females and marginalization of male characters and other issues.


Theme:

Today, serials are made for getting popularity, so, the director chooses the theme of the serial which is more emotional and heart-touching. In the serials, real society is reflected which people can find in their surroundings. Like today’s serials, Jane Austen describes real world. In the novel, story is realistic, common and regular so that readers can also feel that emotions.

Theme of the novel is of love and marriage. Other subjects are economic stability, love, romance, break-ups; family relations are mentioned in the novel. As a serial, ‘Sense and sensibility’ has theme of love and romance. Because of the romantic scenes of major characters serial becomes popular. Because of that theme, the story becomes very common like daily serials.

As a common theme, the characters of the novel are neither of with very high morality nor very low estate, and they have no great adventures. Because of the realistic theme, a picnic, dance, party, amateur theatricals, or at the most an elopement are describes in the novel. These events we can also find in our nowadays serials.

In the theme of the novel, we find lack of passion. The novel does not present stormy passions and high tragedy of emotional life, but only primarily concerned with the comedy of domestic life. High issues are absent in the novel.

Even there is scarcely any feeling for external nature in this novel and there is little passion in the picture of life in the story. Any social problem is not raised in the novel. All stories in the novel turn on personal relationships between friends, between parents and children, between men and women in love.

The ordinary commonplace incidents and day to-day life-experiences become theme of this novel.

Jane Austen lived through the French revolution and the Napoleonic wars, but no shadow of this storm is allowed to confuse the firm bright clarity of her novels, no abstract ideas, no death scenes.

The novel is written in very light mood. Theme is well-selected that the novel can delight the viewers or readers. Serials are always presented with light issues, they are for entertaining the viewers, so, the director intentionally does not put any high or serious, thoughtful issues. And if he will put issues like that, simple – common people cannot enjoy it. Same way there is not any political issues or social problems are described and the novel also does not deal with philosophical ideas and it can also not try to give any high moral message. That’s way, without philosophical and moral ideas, political and social issues, the novel becomes very simple as serials, and common female viewers can easily enjoy this for purpose of entertainment.


Characters:
 

  




Characters are very important feature in narrating story. In the serials, the director has to expand the story, so he creates different stories of different characters. We can find numbers of characters and stories of those characters in the serials.

In the novel ‘Sense and Sensibility’, numbers of character are portrayed. Story is of Dashwood family, but their relatives are also characterised in the novel. Serials are ‘for women’ and ‘on women’; at the same manner we also feel that ‘Sense and Sensibility’ is a serial because of its female characters and feminine world.

It is said that, “two men are never left together in Jane Austen’s novels, there are always ladies present. The stories at all events are told from a woman’s point of view.”

We always find different characters with different nature in the serials. Some characters have negative attitude and some characters are good. In this novel also, there is a different nature of women characters are presented.

As title suggest, ‘Sense and Sensibility’ the story is of two sister of different nature. Elinor-the eldest sister is very practical and realistic. Another sister Marianne is very emotional and sentimental woman.

There are also characters of negative attitudes in the novel like Mrs. Fenny, who is very selfish and powerful women. She did not want to give enough money to Mrs. Dashwood and her daughters. Mrs. Jennings is like marriage burro that always goes on matching pairs and makes absurd jocks. And Lucy, who is very selfish and jealous woman in the novel. With presenting variety of characters, the writer shows different nature of women and human nature in society.

In the serial all characters are interrelated and the story is about one family and their relatives. (Generally story is of mother-in-law and daughter-in-law.) Because of that connectivity, viewers can see the serial as one story with different stories. Harmony is created because of that inter-relation of characters.

In ‘Sense and Sensibility’, the characters are interrelated. Like Edward, who is brother of Mrs. Fenny, married with Elinor, who is sister-in law of Mrs. Fenny John Dashwood! That’s way many interrelations are created in the novel.

The characters of Jane Austen are minutely portrayed and accurately described. All the characters are live. All the characters are not types but individuals. Male characters have certain softness for temper, but female characters are almost perfect. Jane Austen infuses in characters life and vitality, so that they ever remain fresh alive and active in her world. Time does not wither them. They are universal, she does not repeat them. Her heroines are touched with the comic point of view. They are with essential human nature.    


Plot:

Serials are always very long narration. The director is going on expanding the story. Same way, ‘Sense and Sensibility’ is also long novel written in three volumes. Because of the long narratives and expansion, serials have not any single story or major plot. But the structure of the serial is made by many stories and many events.

In the novel, ‘Sense and Sensibility’ like popular serials, there is not a single story or plot but many subplots are there. There is not unity of time, place and action in the novel. It is a long narration so; unity of time is not followed. Because of so much sub plots unity of action is broken. Different stories of different characters are described, so, viewers do not feel any one plot of major story.

Unity of place is totally absent in the novel. In the novel, three sisters and their mother Mrs. Dashwood lived at Norland Park at the beginning. After some time, they went to live Mr. Middleton at Barton. They also visited London. Thus, their journeys of different places are there in the novel.

In this novel, regular events are taking place. The novel is about the domestic elements of women society. It would be recognised as ‘domestic’ or ‘the tea-table’ novel, because of the plot of so much domestic life. The story of two sisters and their nature and feelings are described. Marianne’s love with Willoughby and break-up with him, then marriage with Colonel Brandon is one of the major stories of the novel. Same manner, Elinor’s and Edward’s love story, their departure, Edward’s engagement with Lucy and Elinor’s suffering from that secret and at last Elinor’s marriage with Edward is another part of story.

Though there are not unities. Still, plot is constructed with great skill. Plot is simple but pervasive, and all the incidents that are introduced have their particular meaning. Stories are meticulously integrated, not a character, not an episode but makes it necessary contribution to the development the plot.


Conclusion:

The purpose of the serials are to delight and entertain viewers, not arouse tension but make audience tension-free and give enjoyment. ‘Sense and Sensibility’ is also like today’s serial, delight reader in light mood, entertain reader with simple domestic story. And make tension-free with happy endings and pleasurable love stories.

With these characteristics and elements, one can prove that ‘Sense and Sensibility’ is like today’s serial.

Sir Walter Scott writes about Jane Austen that,

“That young lady had a talent for describing the involvements, feelings and characters of ordinary life...”

Perhaps, because of the novel ‘Sense and Sensibility’ Jane Austen is called as ‘pure novelist’ and remembered even today.

Wednesday, 30 October 2013

She Stoops to Conquer as an Anti-Sentimental Comedy



Maharaja Krishnakumarsinhji Bhavnagar University Bhavnagar
Smt. S. B. Guardy Department of English
Topic: ‘She stoops to Conquer’ as an Anti-Sentimental comedy
Paper: 2: The Neo-classic Literature
Written by: Poojaba G. Jadeja
Roll No.: 25
Year: 2013, Semester: 1st



“She Stoops to Conquer” AS an Anti – sentimental Comedy

Introduction:
    To know how ‘She stoops to Conquer’ is an anti – sentimental comedy, we must know what is sentimental and anti – sentimental comedy.

Sentimental comedy:
    This form becomes popular in 18th century. Sentimental comedy is related to our emotions. It appeals especially to our feelings of sorrow, pity, and compassionate sympathy. It reflected contemporary philosophical conceptions of human as inherent good but capable of being led astray through bad examples. By an appeal to his noble to his sentiments, a man could be reform and set back on the path of virtue.
   Richard Steele was pioneer of sentimental comedy and the best known sentimental comedy is ‘The Conscious Lover’. In contrast ‘anti-sentimental’ comedy returns to comedy of manners.

There is a short video about raise of anti sentimental comedy


Anti – Sentimental Comedy:
    Anti-Sentimental comedy is reaction against sentimental comedy. The pioneer of anti-sentimental comedy is Oliver Goldsmith, who criticized the sentimental comedy in his essay- ‘Essay on the theatre’ or ‘A comparison between Laughing and sentimental comedy’.
     Oliver Goldsmith writes that the true function of a comedy was to give a humorous exhibition of the follies and vices of men and women and to rectify them by exciting laughter. Goldsmith opposed sentimental comedy because in place of laughter and humour, it provided tears and distressing situations, pathetic lovers, serious heroines and honest servants.
     He argued that sentimental comedy was more like tragedy than a comedy. If comedy was to trespass upon tragedy where humour will have right to express itself. On two occasions and with unequal success, Goldsmith tried to revive sincere laughter on stage.
     Richard Sheridan also reacted against sentimental comedy. He ridiculed the sententious moralising of weeping sentimental comedy in his plays ‘The Rivals’ and ‘The Critic’. Anti-sentimental comedy is kind of comedy representing complex and sophisticated code of behaviour current in fashion circles of society where appearance count more than true moral character. Its plot usually revolves around intrigues of lust and greed the self interested cynicism of the character. Being masked by decorous pretence in these two dramatists’ comedies.
    As a result of the reaction of Goldsmith and Sheridan, the comedy of sentiment was driven out, gone were the pathos and morality, preaching and meddling sentimentality. Their place was taken by humour and mirth, pleasant dialogues and wit. The writers who brought about the revival of true comedy in 18th century were Henry Fielding, Oliver Goldsmith and Richard Sheridan.
    Anti-sentimental comedy takes us from old form of comedy, Comedy of manners, which is also called, generally for anti-sentimental comedy.

Characteristics of Anti-Sentimental Comedy:
      It is also called comedy of manners. Anti-sentimental comedy is going to old forms. It is a low farce, situational humour. It is high polished in Restoration comedy.
     Generally, it deals with the relations and intrigues of men and women living in sophisticated upper class society. So, it is called comedy of manners. There is also violation of social standards and decorum immortality of situation.
     Comedy of humours or anti-sentimental comedy is a pure comedy which generate laughter and not tragic with our emotions. Verbal and situational irony is also characteristic of anti-sentimental comedy.
    Oliver Goldsmith’s ‘She Stoops to Conquer’ is one of the best examples of anti-sentimental comedy, and follows all the characteristics of anti-sentimental comedy.

‘She Stoops to Conquer’ as an Anti – Sentimental Comedy:
      We very well know that Goldsmith is pioneer of anti-sentimental comedy. ‘She Stoops to Conquer’ is second play of Goldsmith, produced in 1771. It is also known under the title ‘The Mistakes of a Night’. The play practically introduces the reign of humour in comedy.
     The entire play with its fun and humour, its intrigues and sparkling dialogues, its mischievous tricks and roguish attempts by Tony Lumpkin is a direct blow on the sentimental comedy. A piquant observation, elements of ingenious and new realism, a welling forth of pleasantry that never dries up, and baths even the rare moments when emotion could rise – all go to make this charming comedy an unalloyed source of amusement.
    The principal characters of this comedy are Hardcastle, who loves ‘everything that is old’; old friends, old times, old manners, old books, old wine, Mrs. Hardcastle and Miss. Hardcastle, Their daughter, Mrs. Hardcastle’s son by former marriage, Tony Lumpkin, young Marlow are the chief characters.
    Tony Lumpkin, a frequenter of the ‘Three Jolly Pigeons’ is idle and ignorant, but cunning and mischievous, and doted on by his mother; and young Marlow, is one of the most bashful and reserved young fellows in the world, except with barmaids and servant-girls. His father Charles Marlow has proposed a match between young Marlow and Miss Hardcastle. And the young man and his friend, Hastings, accordingly travel down to pay the Hardcastles a visit.
    Losing their way, they arrive at night at the ‘Three Jolly Pigeons’, where Tony Lumpkin directs them to a neighbouring inn, which is in reality Hardcastle’s house.
    The fun of the play arises largely from the resulting misunderstanding. Marlow treating Hardcastle as the landlord of the supposed inn, and making violent love to Miss Hardcastle, whom he takes for one of his servants. This contrast with his bashful attitude when presented to her in real character. The arrival of Sir Charles Marlow clear up the misconception and all ends well. All ends well, including subsidiary love affair between Hastings and Miss Neville, whom Mrs. Hardcastle destines for Tony Lumpkin. At the end when truth coming to light, everyone happy. Sir Charles and Hastings laugh together over the confusion young Marlow in. Marlow arrives to apologise and in the discussion over Miss Hardcastle claims he barely talked to her. Marlow reveals his truly good character, and after some discussion, everyone agrees to match as per above. All are happy and the ‘Mistakes of a Night’ have been corrected.
       All characters are drawn very well and plot is constructed very well that generate laughter in our mind.
    The confusion and mentality or the portrait of all characters are very humorous and has many element of laughter in the play. It is a true form of comedy. We can also evaluate it. We love its characters because it is like real and we laugh with them, not laugh at them.
     The play is charming one, in which the rough edges of the world are ground smooth, in which fouls turn out to be virtues and mistakes to be blessings. Its characters are particularly delightful. Tony Lumpkin is a genuine child of the soil and is said to be a monitor. Tony is loved by the readers of the comedy for his pleasant fun and nice jokes. Mr. Hardcastle is another character whom we all like because he loves everything that is old.
     In ‘She Stoops to Conquer’ or ‘The Mistakes of a Night’ Goldsmith succeeds in introducing humour of the finest type. The plot is well-knitted and the characters have everything of comedy about them. The old mawkish sentimentality is driven out, and the sense of pathos is sub -planted by mirth and delight.
    It seen as comedy of manners, because in that play comedy arises from gap between the characters’ attempts to preserve standards of polite behaviour, that contrasts to their true behaviour and set in a polite society.
      ‘She Stoops to Conquer’ is also a good satire and farce because it is based on multiple misunderstandings. Like Marlow and Hastings believing Hardcastle’s house as an inn.
       Sometimes, ‘She Stoops to Conquer’ is compared with the great dramatist Shakespeare’s comedies. There is also unity of time, place and action- the concept also show in Shakespeare, is also very well described.
     Like Shakespeare’s Romantic comedy, this comedy depicts how seriously young people take love, and how foolishly it takes them behave. In ‘She stoops to Conquer’ Kate’s- daughter of Hardcastle stooping and Marlow’s nervousness are good example of Romantic comedy. Peculiar union of intellect and emotion which colours the figures and words of Hardcastle and Tony Lumpkin and of Diggory alike makes the play Romantic comedy, similar to Shakespearian comedies.
      The prologue of the play gives the conception of comedy of Goldsmith. It is also a direct satire on sentimental comedy. Moreover, he explained his ideas about the comic art in the dedication to Samuel Johnson. In the play, he has ironically attacked through the mouth of his character. As Miss Hardcastle observes in act 2nd:
  “Indeed I have often been surprise how a man of sentiment could ever admire those light air pleasures, where nothing reaches the heart.”
  Again Tony Lumpkin says in the same act:
  “I have often seen her and sister cry over a book for an hour together; and they said they linked the book the better the more it made them cry.”
      That way he attacked, criticized sentimental comedy.

Conclusion:
      ‘She Stoops to Conquer’ by Oliver Goldsmith has element of anti-sentimentalism. Goldsmith wanted to criticise sentimental comedy of Richard Steele in his contemporary era. So, he wrote ‘She Stoops to Conquer’ his second play better than the first, as an example of pure comedy, comedy of humours, comedy of manners, anti-sentimental comedy.
       Thus, ‘She Stoops to Conquer’ is the best example of anti-sentimental comedy not only because it has characteristics and element of anti-sentimentalism but also it has spirit of “anti-sentimentalism” which we can easily find in Goldsmith. It is a very intellectual with emotional comedy where Goldsmith shows his spirit of anti-sentimentalism. And make it the best anti-sentimental comedy – a pure form of comedy.